Nacha Guevara - Фильмы

Нача Гевара (born Clotilde Акоста, October 3, 1940) is an Argentine певец-поэт-песенник, dancer and actress from Мар-дель-плата, Буэнос-Айрес провинция". With поэт Марио Бенедетти and musician Альберто Favero, 1973 trained as a dancer and actress, she discovered by chance a career as a singer becoming a symbol around 1968 in the avant-garde movement at Институт Di Tella in Buenos Aires, the preeminent pioneer center for visual and theater experimentation at that time. She was a спорный cult figure in the underground movement and as a singer-поэт-песенник in the "cafe-concert scene, поющая tunes and parodies by Борис Виан, Жоржа Брассанса, Том Лерер, Николас Гильен and Argentine writers including Хулио Кортасар, Хорхе Вега, Эрнесто возникли за счет размыва вулканитов and others. According to a 1974 interview, she adopted her stage name in the mid-1960-х, "Нача" as a family tradition, and "Гевара" due to a "problem of identity", before Че was well known.[2] At the beginning of 1970, one of her таким образом, works was Нача sings Бенедетти, where she and Alberto Favero, музыкальный partner and at that time husband, adapted some of the most famous poems of Uruguayan поэт Марио Бенедетти to music. In 1973 she obtained great recognition by critics and audiences with a big revue named тысяча и одна Nachas ("One thousand and one Nachas"). Нача Гевара exiled herself first to Peru then Mexico in 1974, threatened by the Triple A death squad. She attempted to make a comeback in 1975 with a new version of тысяча и одна Nachas. The show was never performed. After the dress rehearsal prior to the opening night, a bomb destroyed the theater, killing a member of the crew and forcing her to flee the country once more. She continued a successful career in Мексика, Куба and Spain with performances in New York, Chicago and La Habana ТОО, before returning to Аргентины. Нача Гевара has acted in numerous Карте films, as well as on Broadway. However, she is best known for her extensive musical career, which has been realized throughout the world and over several decades. After the end of the Argentine, dictatorship, she came back to her native country in 1984. В 1986 she starred Петра Orgambide's Ева, an Argentine answer to the musical Evita by Эндрю Ллойд Уэббер. The show was redone for a bigger version in 2008 and renamed Ева, the great Argentinean музыки. In the last decades she won recognition as an actress, participating in movies and TV shows such as Крылья, Власть и Страсть " ("Wings", "Power and Passion") and films as Темная Сторона Сердца " ("The Dark Side of the Heart") and its сиквела, where she plays Death, a symbolic character who is in love with the hero and harasses him, trying to take him to the other side.