Humberto Mauro - Фильмы

Умберто Мауро Дуарте (30 Апреля 1897 – 5 Октября 1983) was a Brazilian film director. He is often considered the greatest director of early Brazilian cinema. Mauro's second feature film Thesouro Потерянный (The Lost Treasure) won the Brazilian "Film of the Year" award in 1927. Later that year, Phebo Sul America Film was reorganized into Phebo Бразилии Пленки. The first film released under the new Phebo was Брассом Спящей Sleeping (Ember). Брассом, Спящей was a boxoffice success and furthered Mauro's career as one of Brazil's leading directors. In July 1929, Mauro's final film for Phebo Бразилии Фильм Sangue Mineiro (Blood of Минас-Жерайс), was shown in Cataguases. In 1930, the film was given a nationwide release. The film was critically and popularly acclaimed. This was the first film in which Мауро worked with Carmen Santos who would star in many of Mauro's later films. Phebo Бразилии Film did not have the resources to continue to produce films. Adhemar Gonzaga offered Мауро в directing job for Cinédia, which was centered in Rio в Рио-де-Жанейро. Гонзага had started to shoot Lábios sem Beijos (Lips Without Kisses) which starred Кармен Сантос. However, Кармен became pregnant was unable to finish production. Гонзага handed over the project to Мауро, who both directed and photograpghed the film, in March 1930-х годов. Мауро decided to make the film silent even though sound was available. He wanted to explore the possibilities of silent film. Upon release in 1930, the film won the Плату do Brasil film of the year award. Мауро acted as cinematographer for Cinédia's second film Muhler (Woman). Мауро began shooting Ganga bruta in September 1931 года. The film was not completed until 1933 due to cast replacements. The film was silent with synchronized sound recorded on Vitaphone discs added later. The film received little acclaim until two decades after its release. Mauro co-directed his first talking film with Adhemar Gonzaga. А Голос-ДУ-Карнавал (The Voice of Carnival) was a musical. Afterwards, Мауро left Cinédia for Бразилия Vita Фильм in 1934. Я directed two feature films and several for documentaries Бразилии Vita Фильм. In 1936, Мауро joined the Instituto Nacional do Cinema Образования (ИНС), which was then the government office for educational and propaganda films. Мауро shot hundreds of documentaries when he was working in ИНС, and he also shot his last three movies: Descobrimento do Brasil " ("The Discovery of Brazil), Argila (Clay), and O Canto da Saudade" ("The Song of Yearning). His final film was Тележка Bois (Ox Cart), a documentary, in 1974.