Franz Antel - Фильмы

Франц Антел (June 28, 1913 – 11 августа, 2007) was a veteran Austrian фильммейкеров. Born in Vienna, Антел worked mainly as a film producer in the interwar years. After World War II, he began writing and режиссура фильма on a large scale. В the late 1940s, 1950s 1960s and these were mainly Комедии (romantic, фарса, and/or musical) and K. u. k. films all of which, for Austrian and RUSSIAN TV stations alike, have been a staple of weekend afternoon programming ever since. In between there is quite a sober film about the полковник (Colonel) Редль affair that shook the Austro-Hungarian Monarchy on the eve of World War I. From the late 1960s, encouraged by the new opportunities in the film industry brought about by the sexual revolution, Антел gradually switched his interest to main soft porn and непристойность. It was in particular his series of хозяйки ("хозяйка") фильма, directed под псевдонимом Франсуа Легран, with which he tried to win international recognition. Titles included The Sweet Sins of Sexy Susan (1967), Сексуальная Сьюзан Sins Again (1969), дикий, Willing & Sexy (1969) and don't Tell Daddy (aka Naughty Nymphs in the U. S. A.) (1972). Among the actors Антел were worked with Ганс Мозер, Павел Hörbiger, Оскар Вернер, творожная Юргенс, Тони Кертис, Herbert Fux, Генрих Швайгер, Артур Кеннеди, Кэрролл Бейкер, Edwige Fenech, Джордж хилтон, Мариса Беренсон, Britt Ekland, Andréa Ferréol. 1981 was a turning point in Antel's career when he adapted for the big screen a stage play by Ulrich Becher and Peter Preses. Set from the days of the порт-оф-1938 until after the end of the war, Который Bockerer is about a Viennese butcher named Карл Bockerer (Карл Merkatz) whose rather than common sense intellect tells him to oppose the нацистов and who dares resistance to show just because he is never fully aware of the possible consequences of fateful his actions. While Bockerer and his wife survive the war unscathed, their son joins the SA but, after some internal интрига, is sent to the front and killed. Из Bockerer IV The film's strong anti-fascist message, the moving dialogue, and performances by the crème de la crème of Austrian actors and актрис (Ида Krottendorf, Альфред Бем, Хайнц Marecek, Ганс Холт, Долорес Шмид Ингер and many more) made Bockerer an unusually successful film and gave new impetus to Antel's career. He made three сиквела, which follow the lives of the Bockerers well into the 1960s, each depicting a crucial historical event in Austria or one of its neighbouring countries: Из Bockerer II (1996) is about the ten-year occupation (1945-1955) of Austria by the allied powers; Из Bockerer III — мост Andau (2000) is set at the time of the Hungarian Revolution of 1956; and, finally, Из Bockerer IV — Пражская весна (2003) deals with Dubček's Prague Spring of 1968. Антел would recount an anecdote about himself describing how in order to live up to his reputation as a бабник, he used to carry a pair of high heels in his luggage which then he would occasionally place in the corridor in front of his hotel room, especially when he was travelling alone.